Several years ago, Brian created an overdrive called the Cranked AC, which was loosely based on the legendary Class-A amps many famous users such as the Brian May, the Beatles, Tom Petty and the Edge used to achieve some of their most signature sounds. The Cranked AC mimicked those tones to a degree, but not as much as Brian wanted for a true amp-in-a-box. A Class-A style pedal was one of the most requested pedals for years, thus the Thirty Something was born.

Our favorite part of the Thirty Something is its ability to be paired with any amp and guitar and still obtaining that great glistening clean tone that made those old amps so great. We really wanted the clean tone to be the foundation of the pedal, then identified the characteristics of those classic overdrive tones to create the pairing that we feel nails those fantastic clean and overdriven Class-A tones.

 

Controls:

Volume: This knob controls the overall output on the Thirty Something. It has plenty of volume on tap to boost your amp into natural overdrive, or to set as another “gain channel” for your amp. The volume is directly affected by the amount of gain that is set, so more gain may result in needing to adjust the volume down, where less gain will warrant raising the volume to get the proper volume to overdrive ratio.

Bass: This knob controls the overall low-end frequency of your overdrive signal. This really helps to tailor the Thirty Something to whatever amp and guitar you are using. For darker amps or some guitars with humbuckers, you may want to reduce the bass to prevent it from getting “woofy”. When using an inherently bright amp or singlecoils, the bass control can be used to thicken up your tone or fill out the sound if playing at lower volumes. We suggest starting at Noon and adjusting to fit your guitar from there.

Treble: This knob controls the overall high end frequencies present in your overdrive signal. This works exceptionally well paired with dark amps or humbuckers to sit better in the mix, or rolling it off will help with spikiness from too much treble from singlecoils. This control works at a different frequency than the Top Cut, as it’s more based on the high and upper mids. We suggest starting at Noon and adjusting based on what type of tonality you’re looking for.

Top Cut: This knob is similar to those old Class A amps that were inherently very bright (the Thirty Something is also inherently bright), and it allows you to roll off some of the upper high end frequencies which can be brittle or too aggressive for use with some guitars (singlecoils especially) or amps. Fully counterclockwise none of the frequencies are affected and everything is neutral. Turning the knob clockwise will begin to roll off a bit of the top high end to smooth out your tone. We suggest starting it fully counterclockwise and adjusting from there to suite your needs.

Gain: This knob dictates the overall amount of overdrive present in your signal chain. The level of gain is dependent on what position the Headroom Switch is set to. The Thirty Something goes from a clear, chimey clean tone enhancer with loads of cut like those old amps all of the way to full on saturation and copious amounts of overdrive. It can go from Edge-inspired riffs with delay to Brian May-inspired crunch with the turn of the gain knob. As you increase the gain, the volume will also raise and likely need to be adjusted. We suggest starting around 9am and exploring the cleaner-side of the gain range, then cranking it to get those soaring lead tones that defined some of rock’s early years.

Boost Level: The boost knob is based around a Top Boost like many players used on those Class A amps to boost them further into overdrive. This boost accentuates the highs and high-mids to increase the gain and punch of the overdrive and add sustain and a clarity to jump out front in the mix. Being an independent boost, it can be paired in front of any pedal to add that extra high-mid crunch and cut.

Headroom Switch: This switch selects between two different gain settings on the Thirty Something. Set on 15, the Thirty Something will clip into overdrive faster because it’s a "smaller wattage” amp-style compared to the 30 side, thus having more gain on tap and achieving it quicker. On the 30 side, there is much less gain and it stays cleaner with just a bit of added grit like an old 30w Class-A amp (which were loud and clean). This switch directly affects how the gain knob reacts, so we suggest starting on the 30 side (cleaner) and switch to the 15 for more gain.

 

Technical Stuff:

  • 5″ x 4.5″ x 1.5″ (88.9mm x 114.3mm x 38.1mm) – height excludes knobs and switches
  • Power draw: 13mA – Powered by a 9v center negative tip cable (Boss style) or internally via a 9v battery. The Thirty Something can be run from 9v up to 18v and anywhere in between. Increased voltages will lead to higher headroom and less gain.
  • Boost can be used when main pedal is off to drive amp/other pedals
  • True-Bypass switches
  • There have been two naming iterations of this pedal. The first with the name being the “Ace Thirty”. Due to a nasty-gram from a certain company (long story), it was lovingly renamed the Thirty Something. There is no difference in the circuits whatsoever, it was merely renamed.

 

You can read more about the Thirty Something HERE and also buy factory direct.