A couple of weeks ago I had the pleasure of dropping by That Pedal Shed to drop off a Bravado demo amp... that we are hopefully will be featured in lots of videos of That Pedal Show in the future! ;)
After a horrendous drive up (I had to leave at silly o'clock not only to be there on time but to also miss the traffic bottlenecks at rush hour), I rolled into the Tone Shed just as the guys were setting up.
Dan and Mick had swung by the booth at NAMM this year and were interested in the Bravado amp and what it actually meant for guitar players, so once we had all got back Dan and I liaised and we set a date for me to go visit. Now, that Pedal Shed is in a gloriously normal Wilshire spot, tucked away in a completely uneventful business park, that is blissfully unaware of the magic that happens within, it always makes me smile when I go up just how unassuming the place is! The first time I visited Dan at the GigRig was about 3 or 4 years ago, back when it was just GigRig HQ and within it was a typically chaotic work space with pedals, amps, PCB's, switches, components and the general chaos of a productive workspace. Since then I've been back a few times, and each time it's been slowly transformed to the place we know today, GigRig is now run from an adjoining unit with the original location now the studio out back and general rig based workstation in front.
The best thing about walking into that place is the lovely welcome you get when you walk in, both Dan and Mick are genuinely lovely people so it's always a delight to walk in and start chatting (Mick and I had a lot of blushes to cover up, we'd last seen each other at a Joey Landreth gig crying like babies at the beauty of the music), so after that, I grabbed the Bravado, as well as my home made cab, and in we went.
These days, it's kinda strange to walk into that same room, the original workshop, as you know it so well as the Pedal Shed. Strangely enough, the only thing I can compare it too is when we took the kids to see the Harry Potter studio tour earlier this year, you just kinda knew the place before walking in!
I was lucky enough to be invited to stay for the filming of a couple of episodes, the Pedal Platform special and the Binson EchoRec (in fact, it's my crappy brown Adidas you can see in the top left of the screen when the EchoRec is shown) and was treated to a behind the scenes view of the entire thing. Dan and Mick work so well together, they intentionally don't really discuss the products that are on the show that much, preferring to see how they react to each others thoughts and comments. Dan is generally the nerd, what he doesn't know about pedals you can write on the back of a postage stamp with a paint roller, and Mick's practical experience of gear journalism makes a great blend. Plus, they've been mates for years so the jokes you see are unrehearsed, just two mates trying to make each other laugh as often as possible.
Before filming, we had a really long chat about the concept of pedal platforms, what they are, what people think they are, what other companies think they are, how much is marketing faff, how much of it is reality and what is what. They had a quick play through it to make sure levels were correct and then the filming started. So, what you see on screen is them discovering it properly, we didn't specifically select the effects, Dan just took the ones he wanted to try and played them. I was a little nervous when I noticed that we were up against a Mesa Lonestar head, which retails at around £1000 more than the Bravado and has a stellar reputation, so it really was a trail by fire, and a trail that was likely to be viewed by almost 50K people in the first 7 days.
In the room, the Bravado sounded phenomenal - hopefully you can hear on the video about how much more articulate it was than the mesa when using pedals!
Here is the other video filmed that day, Bravado is all over it! Can't wait to see what they do next with it!
The Plexi Drive Deluxe is the next step in the evolution of the classic Plexi Drive, which is one of Brian’s earliest designs. He always wanted to be able to have those great Plexi tones used in classic rock recordings from AC/DC, Led Zeppelin, Hendrix, and countless other bands on any amp he was using.Those famous guitarists would crank their plexi up to the max for massive walls of sound and sustain, but that's not always feasible in certain scenarios. Many famous players are still using the standard Plexi Drive today, from Brad Paisley to Jake Owen and countless rock and blues players (as well as other genres). For years since its release, customers have been requesting the circuit with added flexibility to help tailor the overdrive sound even more to whatever amp and guitar combo they were using. Brian tinkered with the circuit and added the active 3-band EQ, bass and bright boost switches, and an independent footswitchable pre gain boost. Thus the Plexi Drive Deluxe was born.
Our favorite part of the Plexi Deluxe is the immense tweakability of it. With the 3-band active EQ and two tone-shaping switches, you can tailor the pedal to match any guitar and amp combination to get that powerful, cranked plexi tone that has been driving classic music from every genre at whisper quiet or extremely loud levels. The EQ is fully integrated with the Post Gain circuit, so even the smallest tweaks can change your tone into a different flavor. Our other favorite part is the Pre Gain circuit. It’s based on the wildly popular overdrive that is famous for it’s mid-hump that people have been using to boost their plexi’s for years. Pairing the mid-based boost with the Plexi Drive’s circuit gives even more gain and tonal coverage to make it usable for any genre of music. The pre gain boost also works really well stacked with other overdrives and distortions for a great versatile boost to every pedal in your signal chain. The Plexi Deluxe works exceptionally well with any type of guitar, whether it's outfitted with single coils, humbuckers, P90's, etc. and isn't picky on what amp it goes into.
Volume: This knob controls the overall output of the Plexi Deluxe. Just like most overdrives it’s reactive to the gain control. As you raise the gain you may need to adjust the volume down to compensate, and vice versa. There’s plenty of volume on tap to set the gain low and boost the front of your amp with a fine-tuned boost on the EQ.
Bass: This controls the overall low-end frequencies of your overdrive signal. Being an active frequency control, you can add or remove low end from your signal. Removing it would help with bass-heavy amps if there’s too much thump to keep them from flubbing out. Adding in low end will fill out the sound and give your tone a thicker, meatier feel at lower gain levels, or to add some depth to a really bright amp. We suggest starting at Noon (which is neutral on the signal) and adding or subtracting from there. Small increments will open up sweet spots between different guitars and pickup positions.
Mids: This control dictates the overall mid-range presence in your overdrive tone. Also being an active EQ knob, you can add or remove the midrange to tailor the sound exactly to where you want it. Scooping the mids (counterclockwise) will yield an edgier and more aggressive, modern tone. Adding in mids (clockwise) will add midrange frequency which helps to cut through in a live mix, or to get some classic vintage recorded tones from the 60's and 70's. Similar to the bass control, we suggest starting at Noon and adjusting in increments from there. One thing to note is that adding in mids will typically increase the perceived volume of the overdrive, so you may need to adjust the volume knob accordingly to compensate.
Treble: This knob dictates how much overall high-end frequency is present in your overdrive signal. Just like the other EQ controls, it’s an active control and allows you to add or remove exactly the amount of high end you want. We always suggest starting at Noon, and adjusting from there. For extremely bright amps you could cut the treble and boost the bass, or on bass-heavy amps you can boost the treble by several dB’s and cut through the mix really well. This control works directly with the Post Gain knob, and will change the overall flavor of the overdrive.
Post Gain: This knob controls the overall amount of gain from the Plexi Deluxe. The range of overdrive available goes from a barely broken up, slightly hairy tone to full-on saturated rock n’ roll and all things between. At 9am there it will be as if you’re just starting to get some of that great plexi breakup, but the natural tone of your guitar still takes center stage. Heading up to Noon the added sustain and grit will really start to show and you’ll have that identifiable “KERANG” that plexi’s are known for (weird guitar term, but I think you get my meaning). Around 3pm there will be a major amount of overdrive happening, and the Plexi Deluxe emits the feeling of a powerful, cranked and screaming hot plexi amp. The gain is very reactive to your guitars volume knob, so rolling it back a bit will lower the gain while still maintaining volume for rhythm parts, then rolling it back up for solos for that extra saturated punch. For an overdrive pedal, the Plexi Deluxe has a considerable amount of gain, and just tweaking the knob will take you through all of the classic plexi tones from decades of great music in every genre. Running the pre gain boost will increase the amount of gain as well.
Pre Gain: The pre gain boost is is an independent footswitchble mid and gain boost that is based on a classic circuit that has been used for years by nearly every guitar player since its inception. This circuit is known to make tubes scream with a mid-presence that pairs wonderfully with other overdrives and distortions. With the one control knob, it will raise the volume and the gain in conjunction to give more of a punch to the Plexi side of the Plexi Deluxe, which will add gain and also help cut through the mix really well for leads. Because it is independent (it can be used by itself without requiring the plexi drive being engaged) it can be used with any overdrive or distortion on your board, or even as a standalone overdrive. Don't hesitate to crank that thing up well past Noon to get some great grit and sustain happening.
Bass Boost Switch: This switch is activated in the UP position, and disengaged in the down position. The bass boost changes the character of the overdrive by increasing the frequency which makes it feel like you’re going from into a cranked 4x12” cab (or two!). This isn’t a traditional bass boost which will make the drive fuzzier, but it evokes more feeling when playing live or recording. It works exceptionally well at lower volumes where it will make your tone seem much more full and 3-dimensional.
Bright Boost Switch: This switch is also engaged when it is in the UP position, disengaged will be pointed down. Activating the bright boost will add a crisp high-end frequency which works really well for dark amps or pickups, and it also gives your overdrive a different tonal sound and feel. It’s much more aggressive and bordering on the JCM territory with a more aggressive feel depending on how high the gain is set. Engaging this switch may warrant adjusting the active EQ section to find the sweet spot.
- 5” x 4.5” x 1.5″ in size (88.9mm x 114.3mm x 38.1mm) – height excludes knobs and switches
- Power draw: 22mA – Powered by a standard 9v center negative tip barrel connector (Boss style) or an internal 9v batter. The Plexi Deluxe can be run from 9v up to 18v, and doing so will increase the headroom and the overall openness of the overdrive.
- True bypass, top mounted jacks and soft switches
You can read more about the Plexi Drive Deluxe or purchase factor direct HERE.