The Faux Spring Reverb was developed because Brian wanted a flexible, but authentic-sounding reverb without having to lug a reverb tank around. The idea to put it into a pedal format made it easy to travel with and allowed flexibility on the fly instead of having to go over to the amp to adjust. The FSR is a digital reverb, but it has an all analog signal path, so your base tone remains the same with the added reverb effect being blended in. This works well because it allows more flexibility to tweaking the reverb signal to exactly where the player wants it.
Our favorite part of the Faux Spring Reverb is it’s natural sound and feel. It feels and reacts like a reverb tank, but allows you to adjust the tonality to fit any amp and guitar, going from a light room-ish vibe to add depth, or full on surfy wash.
Level: This knob controls the amount of reverb that is merged with your analog signal. This ranges from no mix at all fully counter-clockwise, to a full canvas of reverb that adds depth and feel to your tone like having a spring tank nestled on top of your amp. The key to reverb is finding the sweet spot where it’s got the depth that you want without drowning out your guitar tone (unless you’re using it for ambient washes). This allows you to tailor it precisely to the amount of reverb you want. We suggest starting it at Noon, setting your shade and depth, then adjusting the level to the desired effect level.
Shade: This knob controls the overall tonality of the reverb signal (it does not affect the dry signal). Setting the shade counterclockwise toward the dark side will yield a mellow, warmer reverb tone that sits nicely in a mix for added depth, without overpowering the guitars original tonality. Adjusting it clockwise toward the light side will give a more out-front and noticeable “spring effect” for your reverb tone. The darker setting is great for just adding a bit of depth in a dry room, where setting it lighter will give those classic surf tones of the reverb tanks. This knob changes the effect of the Depth knob, so adjusting each to find the right balance is key. We suggest starting it at Noon and adjusting to match your guitar and what type of atmosphere you'd like to create.
Depth: This control dictates the length or amount of time the reverb signal continues on before fading out. The max reverb time is 2.8s, so there’s plenty on tap to get a great ambient wash. Turning the knob counterclockwise will yield a quicker reverb effect and fade quickly as well which is reminiscent of a smaller spring tank. This setting works great for country picking with the shade knob on the lighter side. With the Shade knob darker it will be a more mellow feel, where it provides an ambient undertone that makes your guitar tone a more three-dimensional. This control is interactive with the other knobs, so adjust the shade will dictate the character of your reverb. The depth will then dictate how much decay occurs, and the level can be used to set it from light to heavy mix for any combination of great reverb tones.
- 5″ x 4.5″ 1.5″ (63.5mm x 114.3mm x 38.1mm) – height excludes knobs and switches
- Power draw: 78mA – Powered via 9v negative center tip (barrel plug like Boss). NOTE: You cannot use a battery with the Faux Spring Reverb, and it should not be run at a higher voltage than 9v.
- 8s max reverb time
- True bypass
- There have been 3 color variations on the Faux Spring Reverb. Early versions had a silver case with black knobs and lettering, later versions had a dark greenish-brown with white knobs and white lettering. The latest version has a brighter green with white knobs and lettering, and the Tone knob has a graphic denoting lighter or darker.
You can read more about the Faux Spring Reverb HERE as well as purchase factory direct.